Alma Tadema
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Alma Tadema Museum
8 January 1836 – 25 June 1912. Most renowned painters.

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Manuel Cabral Y Aguado Bejarano
parana landscape

ID: 56283

Manuel Cabral Y Aguado Bejarano parana landscape
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Manuel Cabral Y Aguado Bejarano parana landscape


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Manuel Cabral Y Aguado Bejarano

Spanish , 1827-1891   Related Paintings of Manuel Cabral Y Aguado Bejarano :. | Arab or Arabic people and life. Orientalism oil paintings 88 | Self Portrait | Zicht op Zierikzee | View of Rome from Via Trionfale, close to the Madonna del Rosario convent. | Horn noshorningens unique weapon in to varokampen had now accustom anti him wrap |
Related Artists:
abel faivre
Il tudie trois ans l'École des beaux-arts de Lyon, puis a la Societe nationale et a l'Academie Julian de Paris aupres de Jules Lefebvre et Benjamin Constant. Il a souvent expose a la societe des Artistes Francais et a ete medaille de 3e classe a l'Exposition de 1894. Medaille d'honneur a l'Exposition de Lyon, il aurait vecu et travaill?? a La Croix-Valmer (Var) ou un boulevard porte son nom. Il est devenu celebre par ses affiches pour soutenir l'effort de guerre francais (1914-1918). Il a egalement travaille pour le journal humoristique Le Rire et pour Le Figaro. Ses caricatures sont visibles au Musee Jean Jaures a Castres. À titre indicatif, un exemplaire original de son affiche Sports d'Hiver, Chamonix datant de 1905 etait estime a 6000 £ par une celebre salle de ventes en 2002. Une huile sur toile La Belle Odalisque (89x61 cm) se vendit 8 000 euros en 2006.
CRETI, Donato
Italian painter, Bolognese school (b. 1671, Bologna, d. 1749, Bologna) Italian painter and draughtsman. His individual and poetic art represents, with that of Marcantonio Franceschini, the last significant expression of the classical-idealist strain in Bolognese painting. His activity was almost wholly confined to Bologna, where he painted decorative frescoes, altarpieces and easel pictures for private collectors. Two qualities are paramount: a perfected finesse of handling and poetic suggestiveness of situation and mood. He sought the ideal beauty of the individual figure and was thus at his best in meditative pictures with few figures; his subjects combine grace of form and precision of contour with flesh that attains the surface delicacy of porcelain and colours that have a mineral-like refulgence.
Theodor Horschelt
(1829 -1871 ) - Watercolours






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